7/6/2023 0 Comments Www 28 weeks laterArmy to declare a “code red” – which for director Fresnadillo means staging scenes of Holocaust imagery (at one point, civilians are herded into a shower-like bunker) and the wanton mass slaughter of innocents and infected alike.Ĭlearly, Fresnadillo has an anti-war point to make, but at what cost? Encumbered by subtext – and, perhaps, less elegant logistics – “28 Weeks Later” lacks the ruthless animal grace of the original. In no time at all, zombie-hell has again broken loose, forcing the U.S. Imagine Don’s surprise when his wife is found alive and miraculously uninfected, despite suffering multiple bite wounds. Obviously, he has some difficulty explaining this fact to his children, Tammy (bewitching teen actress Imogen Poots) and Andy (Mackintosh Muggleton), who were vacationing in Spain during the ordeal. When the chips were down, and the zombies afoot, he abandoned his wife (Catherine McCormack from “Braveheart”) to save his own skin. Meanwhile, a survivor named Don (Robert Carlyle from “Trainspotting”) wrestles with a terrible secret. With the virus nullified and all the zombies (I’m sorry, but that’s what they are) starved to death, a U.S.-led occupation force begins to repatriate British citizens in a quarantined, fortified section of London inventively dubbed “the Green Zone.” (Sounds familiar, no?) Per the title, the action takes place about six months after the “rage” virus swept across Britain, converting its inhabitants into raving, orange-eyed cannibals. ![]() Fresnadillo – he of the crafty Spanish thriller “Intacto” – has made a horror sequel more political than propulsive, with a handful of splattery thrills, but a lot of letdowns, too. When all is said and done, I don’t think the same furor will erupt over the comparative virtues of “28 Days Later” and its sequel, the Juan Carlos Fresnadillo-directed “28 Weeks Later.” Simply put, “28 Weeks Later” isn’t as fun. ![]() ![]() (For instance, the “zombies” were not technically undead, but victims of a viral plague.) Folks, these are vital concerns for some people. Others refused to hang the zombie label on “28 Days Later” because it failed to meet certain technical qualifications. Some fans looked at the flesh-craving maniacs who stalked Boyle’s near-future London and saw a zombie movie. For all its nerve-tingling cannibal terror, Danny Boyle’s “28 Days Later” (2003) created a dangerous schism for film geeks – more divisive, even, than the great Kirk/Picard debates of the ’90s.
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